I have recently finished this lovely commissioned original drawing of the Tree of Life for a wonderful customer in Germany. It has been done in pigment coloured pencil (I use Swiss made Caran d’Ache) and pigment ink pens and measures 6.5 x 6.5 inches. She loved my original pencil drawing of the Tree of Life with a sun and moon in the leaves and a dryad or tree spirit subtly portayed in the image which had been sold, so we decided to do one just for here with slight alterations and in vibrant greens, purples and blues:
I am currently accepting commissions for paintings, tattoo designs, business logos and wedding invitations to name but a few of the artworks I do as custom orders. You can view a selection of my previous artistic commissions here!
This is a close up of painting commission currently underway, the beginnings of which you can see below or here. I have been painting mostly with watercolours, adding touches with acrylic paint and pigment coloured pencil. There are two faeries, and a hedgehog so far….click on the image to enlarge and see if you can spot them! More little creatures to come later…
I have the pleasure of being able to do some wonderful commissions for fabulous customers over the years, and have been asked by Adlene of The Secret Garden of Beauty to do a custom painting to express the magical essence of her unique beauty salon in Wales.
I first liaise with the customer as to the vision of the original artwork they have asked me to create just for them, which may include photos, stories, memories or just imaginative feelings that they would like me to translate into a painting. In this case, Adlene wanted a secret garden theme with a magical, fairytale element to reflect the charm and tranquility of her wonderful beauty salon. Each commission process is different, and in Adlene’s I began with a black and white sketch, which I coloured in with a rough idea as to what she and I may be visualising about the nature of a secret garden….
The painting I have just begun is a watercolour and coloured pigment pencil artwork, which features mainly greens and pastel lavender with aqua blues, capturing the English garden flowers that one may find in the hidden garden of a mystical realm. More progress reports to follow ~ here is the beginning:
Here is the completed painting. It has been such a wonderful experience doing this commission: thanks to my patrons for their creative support encouragement! Here is a shot with my Dad who helped my with the construction of a shippping box and a large board on which to paint. It measures nearly 2 meters x 2 meters (6 foot x 6 foot) and has been painted in acrylics. See the posts before this one for a step by step journey through the painting process.
Here are some detailed shots, and you can purchase a beautiful print of this painting here in my Shop
The painting is nearing completion now, and I have added much detail and flow to the composition.Below is the painting in its entirety, and once finished it will be rolled up, carefully packed and shipped away to be stretched onto a frame ready for hanging. I will post the final photos very soon…..
I have reworked the face of the lower mermaid, and am adding more and more detail and design to the composition, just on a free-form basis with paintbrush and paint – I love this intuitive style of painting and working the form and colour in.
Here is the entire painting, before I reworked the faces. Please click on each photos to appreciate them in their fullness of size – More photos to come soon!
Here are two shots of the progress of my mermaid commission so far – I have blocked in the basic colour and forms and composition, and started on the face details of both mermaids. I always like to do this initially to get a feel of the facial expressions and features that set the tone and nuance of the overall image. I have used acrylic drying retarder when painting in this technique, which gives flow to the polymer paints similar to that of watercolors.
Here are a few shots of my large acrylic Mermaids in Atlantis painting as it progresses from firstly a wash in greens and pthalo blues, with acrylic drying retarder mixed in with water to give a watercolour effect:
Then, in the second shot I have marked out all the figures and large details in white chalk, which is easy to wipe off with a damp cloth. I begin to block in the basic colours of the larger elements in the composition.