I am nearing the end of completing this little painting, which I have really enjoyed doing. As mentioned in a previous post, the concept is based on an ancient Greek myth of Zeus disguised as a swan who seduces the innocent Leda.
I wanted a kind of African nuance, but ethereal too, with allusions to flight and feathers; the dreaminess of Leda’s imagination as she ponders Zeus’s love…
I have been hard at work creating some unique jewelry items, most from my own carvings which have then been cast in beautiful semi-precious lead free pewter using centrifugal casting. I have made brooches, pendants, choker necklaces, keyrings and earrings featuring an owl, fairies, a mermaid, flower girl, lizard, cats and even a little pixie.
A very talented metal caster here in Johannesburg casts these pieces for me, some of which were carved in wax, or in silver clay, and even in Pratley Putty! Centrifugal or spin casting uses centrifugal force to produce metal castings from a rubber mold and is able to capture a great deal of detail, which is very suited to my work.
Below are some examples of my new creations; some are also replicas of original Art Nouveau jewelry designs. All of these, and many more, are available in my shop here.
This is the completed commissioned art work for Aldene in Wales! I enjoyed getting lost in the realms of nature and fantasy…and added some hidden fairies and little creatures throughout the painting if you look closely. It measures approximately 20 inches x 20 inches ; 51 cm x 51 cm ~ my previous posts outline the process of this painting.
You can purchase a beautiful print of this painting here.
I finished this last Friday, and am quite pleased with the flow and expression of what is really a homage to the great Alphonse Mucha, the beauty that is Byzantine and Orthodox Iconic Art and, of course, fantasy art. The Luna Moth is a fascinating creature whose colours and ethereality also inspired me…
You can purchase a beautiful print of this painting in my online shop Here.
This is how my new Art Nouveau inspired fairy painting is looking so far…
I have been painting it on Fredrix watercolor canvas, which is proving to be somewhat of a challenge as it is very slippery and I am finding that the water-based pigments do not adhere too well on the specially coated canvas. it is also very sensitive to any natural oils that come off one’s hand whilst painting, making in effect waterproof! I will be using acrylic to give this painting more adhesion and substance – will post the next and final stage in the next 2 days…
Thanks for looking! – You can see the first stage of this painting Here
Here is the completed painting. It has been such a wonderful experience doing this commission: thanks to my patrons for their creative support encouragement! Here is a shot with my Dad who helped my with the construction of a shippping box and a large board on which to paint. It measures nearly 2 meters x 2 meters (6 foot x 6 foot) and has been painted in acrylics. See the posts before this one for a step by step journey through the painting process.
Here are some detailed shots, and you can purchase a beautiful print of this painting here in my Shop
Here are two shots of the progress of my mermaid commission so far – I have blocked in the basic colour and forms and composition, and started on the face details of both mermaids. I always like to do this initially to get a feel of the facial expressions and features that set the tone and nuance of the overall image. I have used acrylic drying retarder when painting in this technique, which gives flow to the polymer paints similar to that of watercolors.